From the series Relics, this old, defunct coach house serves as a reminder of part of the history of the Burgoyne Valley when it was an active farming community. It is now a provincial park that focuses not only on the natural beauty of the area but on the First Nations history as well. Photographed with a 1954 Rolleiflex twin lens reflex camera on Ilford Pan F 50 film.

Michael Levy’s fine art analog photographs are recorded on various film emulsions with cameras and lenses dating back as far as the 1930s. He custom prints each photograph on archival, 100% heavyweight cotton rag papers in his studio on Salt Spring Island.

PHOTO PRINT INFORMATION

8.5 by 11 inch (21.5 by 28 cm) prints

• Epson Cold Press Natural Fine Art
• 100% cotton fibre paper, 340gsm, slightly textured, archival ink
• Image size approximately 17.75 by 17.75 cm (true to 7 by 7 inches) with white border

13 by 19 inch (33 by 48.25 cm) prints

• Hahnemühle Fine Art Photo Rag
• 100% cotton rag paper, 276gsm, smooth, archival ink
• image size approximately 28 by 28 cm (true to 11 by 11 inches), white border

17 by 22 inch (43 by 56 cm) prints

• Epson Velvet Fine Art
• 100% cotton rag paper, 260gsm, velvet surface, archival ink
• image size approximately 38 by 38 cm (true to 15 by 15 inches), white border

Michael Levy’s introduction to the photographic process took place when he was a young man living with his family in Belgium. He enrolled in a basic black and white darkroom course and processed and printed his first roll of film in 1984. He works in both digital and analog photography and has focused primarily on nature, wildlife and landscape photography, using only natural light. After publishing three successful coffee table books about Salt Spring, he is now redirecting his work to focus on fine art.